Showing posts with label Gothic. Show all posts
Showing posts with label Gothic. Show all posts

Saturday, June 4, 2016

Best of Apex Magazine. Volume 1




28168627
How fun is this cover?!

Where I got the book

LibraryThing Early Reviewers, as an eBook.

Why I’m reading

I just finished For Exposure, an autobiography by Jason Sizemore, the creator and editor of Apex Magazine -- so of course I want to see what all the fuss was about.

Expectations

A collection of (hopefully high-quality) scifi short stories. I’ve got to get the taste of Joy to the Worlds out of my mouth...

How was it?

I started this months ago, but just finished the last few. I love short stories, but collections are hard to finish than novels -- there’s no ‘what happens next?!’ when you finish each story in one sitting. The whole thing blew me away, really; I really haven’t been reading enough of this sort of thing. I was expecting much more strict scifi, but these stories were a fantastic mix of scifi, fantasy, horror (Gothic, not slasher), thought experiments, and old campfire ghost stories. What struck me is that these stories all played to the strengths of the short story, tossing the reader into the middle of a world and letting them figure things out as they go. Some felt unfinished or not fully realized, which isn’t a bad thing. Weirdly enough, it’s something I see often in good fanfiction: stories that are allowed to be ephemeral and experimental rather than definitive. The stories feel shorter than Joy to the Worlds, but I can’t tell if they’re actually shorter or just less painful to read…  

Jackalope Wives // Ursula Vernon
A short, dark fantasy story about shape-changing jackalope wives, in the style of an old fairy tale -- the kind that were weird and twisted and creepy as hell.  

Going Endo // Rich Larson
This whacks you right over the head with the sort of technobabble future-speak that usually comes off trite, but this time it sets a great mood -- it sounds like natural slang, and there are no Importantly Capitalized Nouns. It’s a slice of life from some kind of militarized bio-VR company engineer… and then also sex. Cheeky!

 Candy Girl // Chikodili Emelumadu
A quick and dirty voodoo story that's like something out of a dream - random and strange,but not terrifying. Wickedly vindictive.

 If You Were a Dinosaur, My Love // Rachel Swirsky
Starts out a bit like Neil Gaimon’s The Day the Saucers Came or If You Give a Mouse a Cookie -- mostly nonsense. Ends a bit like the song If You Could See Her from Cabaret.  

Advertising at the End of the World // Keffy R.M. Kehrli
A post-apocalyptic survivor and the hi-tech remnants of advertising culture. A little sad; probably a metaphor for old age. Strangely comfortable.  

The Performance Artist // Lettie Prell
A performance artist explores the connection between self and machines. I didn't really connect with this one, but, well... she nailed performance art. Imaginative, though.

A Matter of Shapespace // Brian Trent
All mass (humanity included) can be transmitted and manipulated electronically, through simple thought commands. A little like The Matrix, a little like I, Rowboat I like it. http://www.flurb.net/1/doctorow.htm  

Falling Leaves // Liz Argall
Two outcast teen girls connect (sort of) in a post apocalyptic society. Post apocalyptic teenage angst. Meh.  

Blood from Stone // Alethea Kontis
Summoning demons and dark, twisted love... except, yeah, I've read tons of stuff that's darker and more twisted. Your standard Gothic fare: not a bad read, but nothing special.  

Sexagesimal // Katharine E.K. Duckett
This one was weird - a trippy and very unique take on death, with an afterlife that runs on a memory-based economy.  

Multo // Samuel Marzioli
Are you afraid of the dark? A simple story that perfectly captures the old childhood fear that kept us tucked safely under our quilts at night.  

Keep Talking // Marie Vibbert
Like contact, a little bit, I guess? But with autism and interpretive dance? I wasn’t a fan of this one.  

Remembery Day // Sarah Pinsker
Another one about memory, this time focusing on memory and war. Definitely a thought exercise on the question of memory: are we better off remembering bad things (like war)? If we could forget, should we -- as an individual, and as a society?

Blood on Beacon Hill // Russell Nichols
Immortal vampires are just as messed up by family and society as mortals are.  

The Green Book // Amal El-Mohtar
Epistolary. A man, his mentor, a talking book who was once a girl, a sort of shadowy religious order, and absolutely zero context. Interesting.  

L’espirit de L’escalier // Peter M. Ball
An endless stairwell three sharpies and a bottle of ashes: that’s it. I love the lack of context.  
Still Life (A Sexagesimal Fairy Tale) // Ian Tregillis
In a palace that time forgot, a clock maker - the only person who can age - falls in love and builds magical time pieces.  

Build-a-Dolly // Ken Liu
We're cruel to our toys.  

Armless Maidens of the American West // Genevieve Valentine
An armless girl (woman?) wandering the forest -- like a local ghost story, except everyone knows she's real and just doesn't pay much attention. A commentary on ignoring suffering of others simply because it's the way things are.

Pocosin // Ursula Vernon
A tired witch and a dying possum god. Very atmospheric.  

She Gave Her Heart, He Took Her Marrow // Sam Fleming
A mentally ill girl in the middle of a sort-of zombie apocalypse. Very confusing at first. Err… very confusing at the end, too. Not quite a zombie story, but I got the same sort of vibe.

Tuesday, October 20, 2015

Crimson Peak // Mia Wasikowska, Tom Hiddleston {Movie}

Crimson Peak theatrical poster.jpgWhy I'm watching
I won't say Tom Hiddleston wasn't a major draw, but it's also directed by Guillermo del Toro, and the trailer looks absolutely gorgeous.

Where I saw the movie
Local cinema, after dinner... somewhere. This was less than a week ago, how have I forgotten where we ate?! Bill's Pizza?

Expectations
I've seen it marketed as both horror and Gothic romance, so a mix of the two. The house (mansion) looks creepy and gorgeous. No idea about the plot, though.

So how was it?

"Gothic horror/romance" was spot-on. The movie follows Edith (Mia Wasikowska), a young, rich, high-society American woman who wants to become an author. While visiting her father's office, she meets and becomes entangled with Thomas (Tom Hiddleston), a British inventor looking for investor capitol, and his sister Lucille (Jessica Chastain).

The rest is either spoilers, or mostly belongs in the 'favorites' section.

Recommendation
Great for horror fans who don't mind some romance, and don't need a ton of evil/gore/etc. Great for romantic drama fans who don't mind violence and gore. Not great if you're expecting a complicated plot -- you'll figure this one out quickly, and get irked when it continues to act mysterious.

There was more gore than I expected, but it's not just gore for the sake of gore. 

Feels
Gothic. Horror. Romantic. A hint of video-game.

Favorites
Edith blew. it. out. of. the. water. She's confident without getting anywhere close to "spunky," "sassy," or defensive; she's a female author without coming across as a nerdy social recluse; she was clearly born with a silver spoon in her mouth, and it's neither ignored nor whinged about. She isn't perfect, but makes reasonably smart choices. She kicks a reasonable amount of ass against a reasonable opponent. Brilliant. This is a strong female hero.

The set, of course.

I also love the interplay of British and American characters. Edith's father (Jim Beaver) is pure distilled American self-made nouveau riche, set against a British baronet in decline. The Americans' indulgent confusion about his title is adorable. Casting was perfect, especially for Edith, her father, Lucille, and the random socialites. Alan (Charlie Hunnam) was a little blah, but then again, I think he was supposed to be.

I don't know what department is responsible -- set design? casting? wardrobe? lighting? -- but you really got a feel for the era... it didn't feel like a bunch of actors trotting about in period costume.

I have... feelings... about the waltz scene, but I'm not sure if it's favorite or least favorite. I'll consider it favorite, because it seemed historically accurate, wasn't super awkward, and they clearly consulted a professional; the candle metaphor was a dead give-away.

Least favorites
Nothing really stuck out, but I was left with a sense that it could have been better. The ghosts weren't scary or mysterious enough, and (gasp) I was actually a little disappointed with Hiddleston. Then again, that's partly my fault: I read that Benedict Cumberbatch backed out, so I spent the whole movie noticing how much more suited he would be for the role. More on that...


So what did I really think?
Click "read more"... spoiler filter disengaged!