Showing posts with label Victorian era. Show all posts
Showing posts with label Victorian era. Show all posts

Wednesday, November 4, 2015

The Art of the English Murder // Lucy Worsley {Audiobook}

20729814Why I'm reading
This somehow made it onto my to-read list while I was bookmarking Sherlock Holmes audiobooks. I needed something non-fiction after finishing the Hunger Games series.

Where I got the book
Greenwich/Overdrive.

Expectations
I barely read the title before clicking… but hey, Sherlock Holmes.

So how was it?

Once I got past my innate urge to start taking notes, this was pretty interesting! It explores the historical context behind the English murder-mystery genre: when it started, its predecessors (Gothic novels, penny-dreadfuls, melodrama, theater), historical and cultural contexts (capital punishment, crime, famous murderers, the development of police and detective agencies, literacy), and its continued influence and popularity. It was actually very appropriate for having just finished the Hunger Games series (even moreso than BBC Sherlock).

Recommendation
Fans of murder-mysteries and crime dramas (looking at you, CSI) will enjoy this -- but it’s  non-fiction, so no plot or drama.

I would actually recommend reading this after the Hunger Games series, if you need some time to recover -- both of them deal with the spectacle of death and murder.

Feels
Informative, but not too dry. Well organized.

Favorites
Reading about the development of police and police detectives was interesting -- something so obvious as a government-run police force, or even individuals who figure out crimes based on any kind of evidence (not just forensic evidence!), was apparently controversial. Like, “oh no, it couldn’t be him, he’s such a nice guy!” was a legitimate defense. The author also pays attention to women throughout the book, which is pretty cool. Female authors, female murderers, female detectives, and female readers are all included as part of the narrative, not as a side note or subsumed by the male perspective.

Least favorites
I’m surprised the book never really addressed Sherlock Holmes (or Agatha Christie, or Colombo, or any other detectives) in TV and movies. Insanely popular shows like CSI are a pretty obvious heir to the murder-mystery detective genre. This was published in 2013 so there’s really no excuse.

Thursday, April 30, 2015

The Importance of Being Earnest // Oscar Wilde

I’m pretty sure I read most, if not all, of this on a train -- going to see Hedwig when I finished it up, but I can’t for the life of me remember where I was going when I started it.  

Why I'm reading
Honestly? It was free, and it’s pretty famous. Ironically, in retrospect, the name Ernst was also pretty intriguing.

Where I got the book
Project Gutenberg, read on my phone using Google Books. Get it here.

Expectations
I have no idea what it’s about.

So how was it?

Okay, so this was both shorter and dumber than I thought it would be, as well as being a play instead of prose. It starts with a conversation between two friends, both of whom are guilty of bunburying -- having two identities, one in the country and one in the city, as an excuse to get out of things they don’t want to do. And of course, romantic hijinks ensue.

I’m actually very happy I read this after a few books like Pride and Prejudice… it’s an absurd take on all those little misunderstandings, complicated family relations, and forbidden love triangles.

Recommendation
Fans of absurdities and romantic comedies.

Feels
Lighthearted, trivial, exaggerated.

Favorites
The word “bunburying,” and the cucumber sandwiches.

Least favorites
It’s too stupid for me to love it, but nothing really sucked. What did suck was the opera version I listened to -- or tried to listen to. Awful. And not your typical boring opera sort of awful.

Writing style
Flippant, fast, complex.

Wednesday, April 29, 2015

Dorian Gray // Oscar Wilde {Movie}

Dorian gray ver2.jpgWhy I'm watching
I liked the short novel by Oscar Wilde -- and okay, let’s face it, the lead actor is adorable.

Where I got the movie
Browsing the ‘new’ section at the Greenwich library. I always thought my RA classes overemphasized browsing for discovery, but it turns out it’s surprisingly effective. Not only do I run into titles I forgot I wanted to see -- I also find stuff I’ve never heard of, and it’s interesting to just pick something up without any expectations.

Expectations
...not high. Something about the pretty-boy lead actor, and the fact that I’ve never heard of this new adaptation of a very famous short story, makes me think this was a flop, although a high-budget flop.

So how was it?

Surprisingly, the movie doesn’t wander too far from the original plot. It begins with Dorian Gray sitting for an oil painting for his friend Basil, listening to Basil’s hedonistic friend Lord Henry. He becomes convinced that beauty and pleasure are the most important things in life, and sells his soul so that the portrait ages in his place. Dorian pursues a sexual and ultimately sinful lifestyle, staying young and beautiful while his portrait ages and becomes disfigured.

It was actually a fairly good interpretation of the story, with excellent supporting actors and a surprisingly good performance from the lead. They found a pretty-boy actor (a must, for Dorian Gray) who can act. The supporting actors had a lot of… character? They stood out as complex and individual personalities, rather than “Rich friend #1 with black hair,” “rich friend #2 with beard,” and “attractive woman #1.”

The movie did a great job showing the seedy underbelly of high society, too. Instead of getting heavy handed -- or worse, outright explaining it in dialog -- there were interesting moments woven in, and a pretty cool artsy montage blurring the lines of high society, public image, sex, murder, etc.

Feels
Victorian without being a caricature of the era. Dark, but maybe a little to neat and tidy for the subject matter. No pulled punches when it comes to the hedonistic subject matter, but not a lot of actual nudity. Felt a little too clean.

Favorites
Casting for Dorian -- for all of the characters, actually. I was also incredibly impressed by the subtle but strong cultural differences between the Victorian society Dorian leaves, and the one he returns to some 18 years later.

Least favorites
The painting CGI was okay, but I would have preferred a more subtle approach with no CGI at all. The rest of the movie had some idea of subtlety, and then you’ve got some hissing squirming crypt-keeper looking thing going on in the frame. If they left that as more of a subtle, mysterious danger, it would have gotten rid of the B-movie vibes.

So what did I really think?
Click "read more"... massive spoilers ahead!