Best of Apex Magazine. Volume 1

How fun is this cover?!

Where I got the book

LibraryThing Early Reviewers, as an eBook.

Why I’m reading

I just finished For Exposure, an autobiography by Jason Sizemore, the creator and editor of Apex Magazine -- so of course I want to see what all the fuss was about.

Expectations

A collection of (hopefully high-quality) scifi short stories. I’ve got to get the taste of Joy to the Worlds out of my mouth...

How was it?

I started this months ago, but just finished the last few. I love short stories, but collections are hard to finish than novels -- there’s no ‘what happens next?!’ when you finish each story in one sitting. The whole thing blew me away, really; I really haven’t been reading enough of this sort of thing. I was expecting much more strict scifi, but these stories were a fantastic mix of scifi, fantasy, horror (Gothic, not slasher), thought experiments, and old campfire ghost stories. What struck me is that these stories all played to the strengths of the short story, tossing the reader into the middle of a world and letting them figure things out as they go. Some felt unfinished or not fully realized, which isn’t a bad thing. Weirdly enough, it’s something I see often in good fanfiction: stories that are allowed to be ephemeral and experimental rather than definitive. The stories feel shorter than Joy to the Worlds, but I can’t tell if they’re actually shorter or just less painful to read…  

Jackalope Wives // Ursula Vernon
A short, dark fantasy story about shape-changing jackalope wives, in the style of an old fairy tale -- the kind that were weird and twisted and creepy as hell.  

Going Endo // Rich Larson
This whacks you right over the head with the sort of technobabble future-speak that usually comes off trite, but this time it sets a great mood -- it sounds like natural slang, and there are no Importantly Capitalized Nouns. It’s a slice of life from some kind of militarized bio-VR company engineer… and then also sex. Cheeky!

 Candy Girl // Chikodili Emelumadu
A quick and dirty voodoo story that's like something out of a dream - random and strange,but not terrifying. Wickedly vindictive.

 If You Were a Dinosaur, My Love // Rachel Swirsky
Starts out a bit like Neil Gaimon’s The Day the Saucers Came or If You Give a Mouse a Cookie -- mostly nonsense. Ends a bit like the song If You Could See Her from Cabaret.  

Advertising at the End of the World // Keffy R.M. Kehrli
A post-apocalyptic survivor and the hi-tech remnants of advertising culture. A little sad; probably a metaphor for old age. Strangely comfortable.  

The Performance Artist // Lettie Prell
A performance artist explores the connection between self and machines. I didn't really connect with this one, but, well... she nailed performance art. Imaginative, though.

A Matter of Shapespace // Brian Trent
All mass (humanity included) can be transmitted and manipulated electronically, through simple thought commands. A little like The Matrix, a little like I, Rowboat I like it. http://www.flurb.net/1/doctorow.htm  

Falling Leaves // Liz Argall
Two outcast teen girls connect (sort of) in a post apocalyptic society. Post apocalyptic teenage angst. Meh.  

Blood from Stone // Alethea Kontis
Summoning demons and dark, twisted love... except, yeah, I've read tons of stuff that's darker and more twisted. Your standard Gothic fare: not a bad read, but nothing special.  

Sexagesimal // Katharine E.K. Duckett
This one was weird - a trippy and very unique take on death, with an afterlife that runs on a memory-based economy.  

Multo // Samuel Marzioli
Are you afraid of the dark? A simple story that perfectly captures the old childhood fear that kept us tucked safely under our quilts at night.  

Keep Talking // Marie Vibbert
Like contact, a little bit, I guess? But with autism and interpretive dance? I wasn’t a fan of this one.  

Remembery Day // Sarah Pinsker
Another one about memory, this time focusing on memory and war. Definitely a thought exercise on the question of memory: are we better off remembering bad things (like war)? If we could forget, should we -- as an individual, and as a society?

Blood on Beacon Hill // Russell Nichols
Immortal vampires are just as messed up by family and society as mortals are.  

The Green Book // Amal El-Mohtar
Epistolary. A man, his mentor, a talking book who was once a girl, a sort of shadowy religious order, and absolutely zero context. Interesting.  

L’espirit de L’escalier // Peter M. Ball
An endless stairwell three sharpies and a bottle of ashes: that’s it. I love the lack of context.  
Still Life (A Sexagesimal Fairy Tale) // Ian Tregillis
In a palace that time forgot, a clock maker - the only person who can age - falls in love and builds magical time pieces.  

Build-a-Dolly // Ken Liu
We're cruel to our toys.  

Armless Maidens of the American West // Genevieve Valentine
An armless girl (woman?) wandering the forest -- like a local ghost story, except everyone knows she's real and just doesn't pay much attention. A commentary on ignoring suffering of others simply because it's the way things are.

Pocosin // Ursula Vernon
A tired witch and a dying possum god. Very atmospheric.  

She Gave Her Heart, He Took Her Marrow // Sam Fleming
A mentally ill girl in the middle of a sort-of zombie apocalypse. Very confusing at first. Err… very confusing at the end, too. Not quite a zombie story, but I got the same sort of vibe.

Mockingjay // Suzanne Collins {Audiobook}

Why I'm reading
Duh.

Where I got the book
Greeeeeeenwich.

Expectations
Finally getting to this whole rebellion thing.

So how was it?

After being rescued in Catching Fire, and bumming around with what is probably several layers of PTSD, Katniss ends up the Mockingjay: the rebellion's figurehead. There’s lots of arguing about everything, a new flavor of makeover, and actual rebellion-fighting action! Then she sets off with a small elite squad and the real action actually starts. Also, Peeta’s all sorts of messed up.

This vastly exceeded my expectations. Not so much in terms of plot, but in terms of how Collins handles the emotional aspects of war. There's a brief afterword at the end (read by the author in the audiobook) explaining how she came up with the idea: she was flipping through channels, and saw  young reality TV stars juxtaposed against young soldiers in Iraq. I'm so glad I stuck around for the afterword (I usually don't read them) because it explains how this book had such an impact; the plot and the characters are your typical dystopian thriller, but there's a strong undercurrent of -- I don't know what to call it, but it reminds me of M*A*S*H.

The afterword also explained why I was constantly thinking jeez, I really hope they filmed this shot-for-shot, the scenes are set up perfectly for film -- Collins worked in TV!

Recommendation
Well, if you’ve made it this far…

Feels
Like everyone’s dying and you don’t have time to care. Seriously, just assume everyone dies. Not everyone does, but at least then you'll be -- let's not say pleasantly surprised, but at least not totally crushed.

Favorites
Continues to be Finnick and Haymitch, although Haymitch plays a smaller role this time. The shenanigans with the camera crew. Katniss’ last arrow.

Least favorites
The whole thing with Peeta was a little silly initially, but I guess it served its purpose. I also wasn't a fan of the way she wrote the fire... thing at the very end.

So what did I really think?

Click "read more"... massive spoilers ahead!

Catching Fire // Suzanne Collins {Audiobook}

Why I'm reading
Well, I can’t stop in the middle, now can I?

Where I got the book
Greenwich, Overdrive, etc. etc.

Expectations
Not really sure what The Hunger Games is going to be after the Hunger Games are over. Politics and rebellion and ass-kicking, I presume.

So how was it?

Okay, so, I guess the Hunger Games aren’t over.  

Catching Fire kicks off with the victors, Katniss and Peeta, going on tour to all the districts. It’s traditional, but President Snow is also using the tour (and their shmoopy fake relationship) to relieve the unrest inspired by Katniss’ defiance in the previous book.

Aaaand suddenly there’s such a thing as a “quarter quell,” an extra-special version of the games that happens every 25 years, and involves special rules… yup, Katniss and Peeta are dumped right back in the arena. I know, it's so ridiculous that they can't believe it, either. But in a shocking turn-up, this second trip to the arena actually wasn’t boring or repetitive. It’s an entirely different situation, with entirely different tributes -- other past victors, at various ages and levels of preparation -- and everyone’s acting oddly.

On the Team Gail / Team Peeta front, Katniss becomes even more conflicted; I continue to prefer Peeta. (Which, from my experience with Korean TV dramas, usually means she'll end up with the other one.)

Recommendation
Same as the first book: there’s fighting, survival, romance, a little bit of a psychological thrill (like a spy novel), family drama, and pageantry.

Feels
About the same as the first one in terms of gritty YA plot/action, but the tone is no longer one of immediate immediate desperation. Katniss continues to have no idea what's going on.

Favorites
Finnick Odair, hands down. Of course that means he’s probably going to die. I also continue to like Haymitch.

Least favorites
The Gail/Peeta wishy-washy gets on my nerves, but I knew what I was getting into.

So what did I really think?

Click "read more"... massive spoilers ahead!

Hunger Games // Suzanne Collins {Audiobook}

Why I'm reading
I feel like a bad librarian for not having read Hunger Games yet. That's me, always late to the party!

Where I got the book
Overdrive from Greenwich Library.

Expectations
I've seen the first movie, so more or less (more, it turns out) know the plot.

So how was it?

The movie stuck fairly close to the plot -- and feel -- of the book, so it was what I expected: a dystopian future, where North America is split into twelve districts, each of which sends two 'tribute' citizens to compete in the Hunger Games.

The book is always better (of course) but in this case, the movie had no chance; as a film medium, it just can't get the same message across. In the book, we understand that Katniss is playing things up for the camera, that everything she feels/does is filtered through the lens of being watched and fighting for her life, and that she's disgusted by the audience watching her -- all things that are nearly impossible to convey to... well, an audience watching her. Jennifer Lawrence actually does a fantastic job conveying the right blank-face disgust and terror.

I've held back on watching the other movies, because I don't want to spend the rest of the series comparing the two (hey, it worked for LotR!)

Recommendation
If you liked the movie, you'll like the book. It's got a little of everything: fighting, survival, romance, a little bit of a psychological thrill (like a spy novel), family drama, and pageantry -- but definitely heavy on the fighting and survival.

Feels
Fast-paced without being ridiculous or confusing. The romance elements are a bit annoying, but honest and don't have any real resolution.

Favorites
It's nothing groundbreaking, but I really appreciated the detail and honesty given to Katniss' relationships -- they're allowed to be conflicted and confusing. She doesn't understand the motives behind her own actions, especially when it comes to Peeta.

Least favorites
Suddenly werewolves? Or something? I can see why they downplayed that in the movie.

Writing style
Easily accessible, descriptive, just the tiniest bit cheesy. Lots of flashbacks.

So what did I really think?

Click "read more"... massive spoilers ahead!

The Girl With All the Gifts // M.R. Carey

I got a new phone! Woo! Not sure I’m in love with it, but it’s fast and not (quite as) glitchy.

Why I'm reading
I just installed the Overdrive app, because I want to start reading more ebooks on my phone, and -- hello -- libraries do that. Honestly the cover was okay and the summary wasn’t terrible, but mainly I just wanted to load a random book to make sure Overdrive worked.

Where I got the book
The Overdrive app.

Expectations
None, except that the sample page seemed like an interesting take on zombies.

So how was it?

This went right onto my ‘favorites’ shelf on Goodreads.

“Every morning, Melanie waits in her cell to be collected for class. When they come for her, Sergeant Parks keeps his gun pointing at her while two of his people strap her into the wheelchair. She thinks they don't like her. She jokes that she won't bite, but they don't laugh.” 

I usually summarize a little bit, but I’m not sure exactly what to put without ruining some of the surprise. I can’t even really call it “surprise,” because that usually means sudden unexpected deaths and unpredictable plot twists. But The Girl With All the Gifts never really surprised me; instead there was a slow, building horror as we (and the girl) slowly piece together what’s going on, and come to terms with it.

Recommendation
Fans of zombie books, of course. But this will also appeal to people who like sci fi short stories. Maybe it’s because they require less investment, but short stories usually end up more experimental and interesting.

Feels
Confusion, horror, gentleness, and adrenaline.

Favorites
The first chapter felt like the world was turning upside-down, but very slowly… like one of those turning tunnels in a funhouse.

Least favorites
None that I can think of. It’s not entirely free of tropes, but what is?

Writing style
Subtle, I guess? No punches were pulled with the horror and suspense, but they’re not overdone. It’s written in third person, but focuses on one character for several chapters at a time, so we get to understand all the characters.