Showing posts with label horror. Show all posts
Showing posts with label horror. Show all posts

Saturday, June 4, 2016

Best of Apex Magazine. Volume 1




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How fun is this cover?!

Where I got the book

LibraryThing Early Reviewers, as an eBook.

Why I’m reading

I just finished For Exposure, an autobiography by Jason Sizemore, the creator and editor of Apex Magazine -- so of course I want to see what all the fuss was about.

Expectations

A collection of (hopefully high-quality) scifi short stories. I’ve got to get the taste of Joy to the Worlds out of my mouth...

How was it?

I started this months ago, but just finished the last few. I love short stories, but collections are hard to finish than novels -- there’s no ‘what happens next?!’ when you finish each story in one sitting. The whole thing blew me away, really; I really haven’t been reading enough of this sort of thing. I was expecting much more strict scifi, but these stories were a fantastic mix of scifi, fantasy, horror (Gothic, not slasher), thought experiments, and old campfire ghost stories. What struck me is that these stories all played to the strengths of the short story, tossing the reader into the middle of a world and letting them figure things out as they go. Some felt unfinished or not fully realized, which isn’t a bad thing. Weirdly enough, it’s something I see often in good fanfiction: stories that are allowed to be ephemeral and experimental rather than definitive. The stories feel shorter than Joy to the Worlds, but I can’t tell if they’re actually shorter or just less painful to read…  

Jackalope Wives // Ursula Vernon
A short, dark fantasy story about shape-changing jackalope wives, in the style of an old fairy tale -- the kind that were weird and twisted and creepy as hell.  

Going Endo // Rich Larson
This whacks you right over the head with the sort of technobabble future-speak that usually comes off trite, but this time it sets a great mood -- it sounds like natural slang, and there are no Importantly Capitalized Nouns. It’s a slice of life from some kind of militarized bio-VR company engineer… and then also sex. Cheeky!

 Candy Girl // Chikodili Emelumadu
A quick and dirty voodoo story that's like something out of a dream - random and strange,but not terrifying. Wickedly vindictive.

 If You Were a Dinosaur, My Love // Rachel Swirsky
Starts out a bit like Neil Gaimon’s The Day the Saucers Came or If You Give a Mouse a Cookie -- mostly nonsense. Ends a bit like the song If You Could See Her from Cabaret.  

Advertising at the End of the World // Keffy R.M. Kehrli
A post-apocalyptic survivor and the hi-tech remnants of advertising culture. A little sad; probably a metaphor for old age. Strangely comfortable.  

The Performance Artist // Lettie Prell
A performance artist explores the connection between self and machines. I didn't really connect with this one, but, well... she nailed performance art. Imaginative, though.

A Matter of Shapespace // Brian Trent
All mass (humanity included) can be transmitted and manipulated electronically, through simple thought commands. A little like The Matrix, a little like I, Rowboat I like it. http://www.flurb.net/1/doctorow.htm  

Falling Leaves // Liz Argall
Two outcast teen girls connect (sort of) in a post apocalyptic society. Post apocalyptic teenage angst. Meh.  

Blood from Stone // Alethea Kontis
Summoning demons and dark, twisted love... except, yeah, I've read tons of stuff that's darker and more twisted. Your standard Gothic fare: not a bad read, but nothing special.  

Sexagesimal // Katharine E.K. Duckett
This one was weird - a trippy and very unique take on death, with an afterlife that runs on a memory-based economy.  

Multo // Samuel Marzioli
Are you afraid of the dark? A simple story that perfectly captures the old childhood fear that kept us tucked safely under our quilts at night.  

Keep Talking // Marie Vibbert
Like contact, a little bit, I guess? But with autism and interpretive dance? I wasn’t a fan of this one.  

Remembery Day // Sarah Pinsker
Another one about memory, this time focusing on memory and war. Definitely a thought exercise on the question of memory: are we better off remembering bad things (like war)? If we could forget, should we -- as an individual, and as a society?

Blood on Beacon Hill // Russell Nichols
Immortal vampires are just as messed up by family and society as mortals are.  

The Green Book // Amal El-Mohtar
Epistolary. A man, his mentor, a talking book who was once a girl, a sort of shadowy religious order, and absolutely zero context. Interesting.  

L’espirit de L’escalier // Peter M. Ball
An endless stairwell three sharpies and a bottle of ashes: that’s it. I love the lack of context.  
Still Life (A Sexagesimal Fairy Tale) // Ian Tregillis
In a palace that time forgot, a clock maker - the only person who can age - falls in love and builds magical time pieces.  

Build-a-Dolly // Ken Liu
We're cruel to our toys.  

Armless Maidens of the American West // Genevieve Valentine
An armless girl (woman?) wandering the forest -- like a local ghost story, except everyone knows she's real and just doesn't pay much attention. A commentary on ignoring suffering of others simply because it's the way things are.

Pocosin // Ursula Vernon
A tired witch and a dying possum god. Very atmospheric.  

She Gave Her Heart, He Took Her Marrow // Sam Fleming
A mentally ill girl in the middle of a sort-of zombie apocalypse. Very confusing at first. Err… very confusing at the end, too. Not quite a zombie story, but I got the same sort of vibe.

Tuesday, December 1, 2015

For Exposure // Jason Sizemore

http://cdn.shopify.com/s/files/1/0000/7796/products/For_Exposure_CVR002sm_1024x1024.jpg?v=1433342748
Why I'm reading
It seemed interesting; I like Scifi, and I’m sort of interested in publishing. Plus the cover was pretty awesome. Ironically, a few chapters in, Sizemore mentions the cover art was fairly influential in getting people to pick up his new magazine.

Where I got the book
An eBook that I vaguely remember requesting from LibraryThing’s early reviewer giveaway.

Expectations
Well, LT early reviewers summary is what I was working with:
“In this collection of semi-true and sometimes humorous essays, Jason exposes the parties, people, and triumphs that shaped him into the Apex Overlord. He also lays bare the hardships and failures that have threatened to take it all away. Meet Thong Girl, heed the warning about the ham, receive rest stop bathroom wisdom, and visit an emergency room straight out of a horror movie in this extraordinary account of life as a publisher and editor.”

So how was it?

Okay, first of all, it took me nearly a month to finally get myself to read past the first few paragraphs. It was just… weirdly religious, out of the blue, and had nothing to do with publishing. Then I promised myself I’d sit down and read through at least a chapter, and couldn’t put it down.

It’s more or less what LibraryThing described: humorous autobiographical essays, starting with the author’s early life -- a strange mixture of rural Baptist Christianity and Scifi/horror movies -- before moving quickly into the world of fandom and publishing. What really sets this book apart is the writing. The whole “humorous semi-autobiographical essay” genre is full of fun and engaging writing, but Sizemore is unexpectedly sharp and smart. It doesn’t feel like he’s trying too hard to be Witty and impart a Meaningful Message (or, like a lot of the humorous essays I read, a Meaningful Feeling Without Any Actual Point). Something about the writing reminds me of… well, a good Scifi author.

Also notable are the rebuttal essays, written by friends and colleagues, interspersed between chapters. While they're not the funniest part of the book, they provide a second point of view for many of the events he describes, so it feels less like a novelization.

If you’re only looking for insight into the publishing world, this probably isn’t really the book you want. It’s very specific to the world of small, independent Scifi/horror genre magazine publishing.

All 70+ issues of Apex Magazine are available in eBook format. 

Recommendation
Anyone interested in the world of Scifi, short stories, or conventions. Heck, anyone even close to interested; three chapters in, and I was ready to check out every short story collection Greenwich has (...and I cataloged most of them, so…)

Feels
Sharp, smart, blunt, with more action than navel-gazing. He explains the inspiration and creation of Apex Science Fiction and Horror Digest in just 303 words, and it’s well done. That’s the kind of thing most authors would needlessly drag out for a chapter or two.

Favorites
The writing, by far -- which means I’m tempted to just copy out all the best sections. But that would take up way too much space. Also, his early con experiences. Both exemplified in this quote:
“Don’t you want to eat something, first? The ham is delicious.”
No. I would not have any ham. The juxtaposition of human thighs and honey-baked ham made me blanch. I wrenched the door opened and rushed out of there.
Least favorites
The prologue. It's not poorly written, but it was a bit too much right off the bat.

Writing style
He’s got a big vocabulary, and knows how to use it. And no, I don’t mean the kind of author who thumbs through their thesaurus looking for fancy words. 

Wednesday, November 4, 2015

The Art of the English Murder // Lucy Worsley {Audiobook}

20729814Why I'm reading
This somehow made it onto my to-read list while I was bookmarking Sherlock Holmes audiobooks. I needed something non-fiction after finishing the Hunger Games series.

Where I got the book
Greenwich/Overdrive.

Expectations
I barely read the title before clicking… but hey, Sherlock Holmes.

So how was it?

Once I got past my innate urge to start taking notes, this was pretty interesting! It explores the historical context behind the English murder-mystery genre: when it started, its predecessors (Gothic novels, penny-dreadfuls, melodrama, theater), historical and cultural contexts (capital punishment, crime, famous murderers, the development of police and detective agencies, literacy), and its continued influence and popularity. It was actually very appropriate for having just finished the Hunger Games series (even moreso than BBC Sherlock).

Recommendation
Fans of murder-mysteries and crime dramas (looking at you, CSI) will enjoy this -- but it’s  non-fiction, so no plot or drama.

I would actually recommend reading this after the Hunger Games series, if you need some time to recover -- both of them deal with the spectacle of death and murder.

Feels
Informative, but not too dry. Well organized.

Favorites
Reading about the development of police and police detectives was interesting -- something so obvious as a government-run police force, or even individuals who figure out crimes based on any kind of evidence (not just forensic evidence!), was apparently controversial. Like, “oh no, it couldn’t be him, he’s such a nice guy!” was a legitimate defense. The author also pays attention to women throughout the book, which is pretty cool. Female authors, female murderers, female detectives, and female readers are all included as part of the narrative, not as a side note or subsumed by the male perspective.

Least favorites
I’m surprised the book never really addressed Sherlock Holmes (or Agatha Christie, or Colombo, or any other detectives) in TV and movies. Insanely popular shows like CSI are a pretty obvious heir to the murder-mystery detective genre. This was published in 2013 so there’s really no excuse.

Wednesday, October 21, 2015

Fragile Things // Neil Gaiman {Audiobook}

16788Why I'm reading
Neil Gaiman is fantastic.

Where I got the book
Audiobook from Greenwich. Again.


So how was it?

A collection of short stories and poetry featuring Gaiman’s unique mixture of spooky, creepy, morbid, snarky, dark horror. Also includes lots a little tidbits of poetry interspersed between the chapters, and introductions/context in the foreword. The audiobook is read by Gaiman as well -- he’s brilliant.

The Mapmaker 
I wasn’t really sure about this one. It’s the story of a Chinese emperor who creates a miniature map of China in his garden. It’s extremely accurate and a huge drain of resources; then he dies, and the map is abandoned and grows over. Something about transience, maybe, and the whims of people in power.

A Study in Emerald 
Oh. my. god. Oh my god. I can’t even. This is a retelling of the Sherlock Holmes story A Study in Scarlet within the Cthulhu universe, where the ruling class consists of Lovecraftian monsters. That’s right: Gaiman wrote crossover fanfiction, and it is fantastic. Sent me into mental cascade failure by the end. I made Alan listen to it, it was so good. Read it here!

October in the Chair 
The seasons tell stories around the campfire; October tells an oddly peaceful horror story about a young runaway boy playing in a haunted graveyard. The framing (i.e. the seasons) was more memorable than the individual stories. There was a moment where the ghost’s story reminded me of Bradbury’s "Yes, We'll Gather at the River" -- sure enough, it’s dedicated to him.

Forbidden Brides of the Faceless Slaves in the Secret House of the Night of Dread Desire 
An author struggles to write realistic fiction, in a world where elaborate Gothic horror constitutes ‘realistic.’ A fun little turn-up of expectations.

The Flints of Memory Lane 
A tiny little story where the author -- like several of these, I’m not entirely sure if it’s really Gaiman, a fictional Gaiman, or just an arbitrary fictional author -- encounters a chilling gypsy woman. There’s no real backstory or follow-up, and that seems to be the point; some things are just unexplained and creepy.

Closing Time 
A few pub (club) goers tell ghost stories before closing up shop for the night. The main ghost story follows a young boy who falls in with three slightly older and more delinquent boys; they find a creepy old playhouse, and the older boys disappear inside. Turns out the youngest of the three is in the club. Nothing is really resolved. I’m not sure if it’s an allegory for loss of innocence, child abuse, or just the scattershot nature of stories.

Bitter Grounds 
A man drops his life and picks up another one at random, following where it leads, until he ends up at an anthropology conference in New Orleans and … something something something zombies? It’s a rambling story that actually makes sense as you read, but doesn’t have a cohesive plot.

Other People 
A man is tortured until he understands why he deserves to be tortured. Creepy and sad, although it’s hard to feel one way or the other about the main character without knowing why he deserves torture.

Keepsakes and Treasures: A Love Story 
A story about a (psychopathic?) young orphan overcoming his terrible upbringing, meeting the mysterious and insanely wealthy Mr. Alice, and becoming his devoted right-hand man. Surprisingly nasty; disturbingly satisfying in a way that’s seriously Not Good. No, despite my vocabulary, this is nothing like Sherlock!

Good Boys Deserve Favors 
Strangely endearing, I can’t really call this one ‘horror.’ It’s the story of a boy who takes up playing the double bass, although he has no particular passion for it -- and has one spontaneous moment of connection with the instrument. There wasn’t anything about this story that really stood out, but I liked the sense of having one perfect in-the-moment experience.

The Facts in the Case of the Departure of Miss Finch 
The narrator is invited to entertain his friends’ standoffish acquaintance; they all go to a really weird circus performance. Well written and entertaining (of course) but I didn’t really connect with this one.

Harlequin Valentine
I like Harlequin type characters (incidentally, Harley Quinn was my Halloween costume!) so I enjoyed this quasi-mythical take on the character/archetype of Italian theater. The story is sad if you empathize with the male main character, but delightful and fun if you consider Harlequin the main character -- exactly the kind of dark humor you want from a Harlequin. And his seamless transition into real life was so cool.

The Problem of Susan 
Another sort-of-fanfiction, this time in the Narnia universe. Not being familiar with Narnia, the source of her turmoil isn’t quite clear to me -- but I always appreciate fanfiction that goes for a darker, realistic, more complicated interpretation of simple/idealistic stories.

Instructions 
A poem with instructions on what to do if you find yourself in a fairy tale. Similar to The Evil Overlord List.

How Do You Think It Feels? 
A weird little story about a guy who cheats, falls in love with his young mistress, gets his heart broken… and makes a gross little stone demon? I didn’t connect with this one at all. Also, holy shit, this was porny! I mean, hey, I regularly listen to worse podfic, but Overdrive occasionally plays snippets before switching over to headphones, and I was listening to this at work D:

Feeders and Eaters 
A weird not-quite-zombie story with this undercurrent of unhealthy compulsion. It doesn’t quite make sense -- shouldn’t there be a more straightforward way to eat? -- but somehow that makes it creepier.

In the End 
Genesis in reverse; the last book of the Bible. Weird.

Goliath 
A little side story set in the Matrix universe, following one human as the war causes glitches in the Matrix. I loved the experience of a mostly regular human within a glitching Matrix!

Pages from a Journal Found in a Shoebox Left in a Greyhound Bus Somewhere Between Tulsa, Oklahoma, and Louisville, Kentucky 
A circular, dizzy adventure that feels like something between heatstroke and time travel.

How to Talk to Girls at Parties 
Two teenage boys -- your typical extrovert and introvert -- wander into a party full of alien tourists, looking to hit on girls. Apparently this is going to be a movie! I don’t think it has enough plot to be a movie, but John Cameron Mitchell is directing, so it can’t not be great.

The Day the Saucers Came 
I’ve heard this one before; it’s cute. As the world falls into elaborate and redundant ruin, the author is preoccupied with his love life.

Sunbird 
The gastronomical adventures of the Epicurean Society, an ages-long society dedicated to eating everything you could possibly eat. They’ve run out of new things to try, when one of the older members suggests the mysterious sunbird in Egypt. As fanciful as it was, this one felt weirdly reassuring.

Also, I couldn’t help but picture the character Methos from Highlander.

Inventing Aladdin 
The inner thoughts of Scheherazade -- the “author” of stories like Aladdin and Arabian Nights -- as she invents new passages every night so her sultan husband won’t behead her. Exactly as I’ve always pictured her; what an awful situation.

The Monarch of the Glen
A crazy, blurry take on Norse? pagan? mythology, (apparently) part of his American Gods novel. It follows Shadow, a reincarnation of a Norse hero, as he wanders into a small town. He ends up playing bodyguard -- and then the entertainment -- at a strange pagan party.

Tuesday, October 20, 2015

Crimson Peak // Mia Wasikowska, Tom Hiddleston {Movie}

Crimson Peak theatrical poster.jpgWhy I'm watching
I won't say Tom Hiddleston wasn't a major draw, but it's also directed by Guillermo del Toro, and the trailer looks absolutely gorgeous.

Where I saw the movie
Local cinema, after dinner... somewhere. This was less than a week ago, how have I forgotten where we ate?! Bill's Pizza?

Expectations
I've seen it marketed as both horror and Gothic romance, so a mix of the two. The house (mansion) looks creepy and gorgeous. No idea about the plot, though.

So how was it?

"Gothic horror/romance" was spot-on. The movie follows Edith (Mia Wasikowska), a young, rich, high-society American woman who wants to become an author. While visiting her father's office, she meets and becomes entangled with Thomas (Tom Hiddleston), a British inventor looking for investor capitol, and his sister Lucille (Jessica Chastain).

The rest is either spoilers, or mostly belongs in the 'favorites' section.

Recommendation
Great for horror fans who don't mind some romance, and don't need a ton of evil/gore/etc. Great for romantic drama fans who don't mind violence and gore. Not great if you're expecting a complicated plot -- you'll figure this one out quickly, and get irked when it continues to act mysterious.

There was more gore than I expected, but it's not just gore for the sake of gore. 

Feels
Gothic. Horror. Romantic. A hint of video-game.

Favorites
Edith blew. it. out. of. the. water. She's confident without getting anywhere close to "spunky," "sassy," or defensive; she's a female author without coming across as a nerdy social recluse; she was clearly born with a silver spoon in her mouth, and it's neither ignored nor whinged about. She isn't perfect, but makes reasonably smart choices. She kicks a reasonable amount of ass against a reasonable opponent. Brilliant. This is a strong female hero.

The set, of course.

I also love the interplay of British and American characters. Edith's father (Jim Beaver) is pure distilled American self-made nouveau riche, set against a British baronet in decline. The Americans' indulgent confusion about his title is adorable. Casting was perfect, especially for Edith, her father, Lucille, and the random socialites. Alan (Charlie Hunnam) was a little blah, but then again, I think he was supposed to be.

I don't know what department is responsible -- set design? casting? wardrobe? lighting? -- but you really got a feel for the era... it didn't feel like a bunch of actors trotting about in period costume.

I have... feelings... about the waltz scene, but I'm not sure if it's favorite or least favorite. I'll consider it favorite, because it seemed historically accurate, wasn't super awkward, and they clearly consulted a professional; the candle metaphor was a dead give-away.

Least favorites
Nothing really stuck out, but I was left with a sense that it could have been better. The ghosts weren't scary or mysterious enough, and (gasp) I was actually a little disappointed with Hiddleston. Then again, that's partly my fault: I read that Benedict Cumberbatch backed out, so I spent the whole movie noticing how much more suited he would be for the role. More on that...


So what did I really think?
Click "read more"... spoiler filter disengaged!

Friday, April 24, 2015

The Girl With All the Gifts // M.R. Carey

The Girl with All the Gifts.jpgI got a new phone! Woo! Not sure I’m in love with it, but it’s fast and not (quite as) glitchy.

Why I'm reading
I just installed the Overdrive app, because I want to start reading more ebooks on my phone, and -- hello -- libraries do that. Honestly the cover was okay and the summary wasn’t terrible, but mainly I just wanted to load a random book to make sure Overdrive worked.

Where I got the book
The Overdrive app.

Expectations
None, except that the sample page seemed like an interesting take on zombies.



So how was it?

This went right onto my ‘favorites’ shelf on Goodreads.
“Every morning, Melanie waits in her cell to be collected for class. When they come for her, Sergeant Parks keeps his gun pointing at her while two of his people strap her into the wheelchair. She thinks they don't like her. She jokes that she won't bite, but they don't laugh.” 
I usually summarize a little bit, but I’m not sure exactly what to put without ruining some of the surprise. I can’t even really call it “surprise,” because that usually means sudden unexpected deaths and unpredictable plot twists. But The Girl With All the Gifts never really surprised me; instead there was a slow, building horror as we (and the girl) slowly piece together what’s going on, and come to terms with it.

Recommendation
Fans of zombie books, of course. But this will also appeal to people who like sci fi short stories. Maybe it’s because they require less investment, but short stories usually end up more experimental and interesting.

Feels
Confusion, horror, gentleness, and adrenaline.

Favorites
The first chapter felt like the world was turning upside-down, but very slowly… like one of those turning tunnels in a funhouse.

Least favorites
None that I can think of. It’s not entirely free of tropes, but what is?

Writing style
Subtle, I guess? No punches were pulled with the horror and suspense, but they’re not overdone. It’s written in third person, but focuses on one character for several chapters at a time, so we get to understand all the characters.