Best of Apex Magazine. Volume 1

How fun is this cover?!

Where I got the book

LibraryThing Early Reviewers, as an eBook.

Why I’m reading

I just finished For Exposure, an autobiography by Jason Sizemore, the creator and editor of Apex Magazine -- so of course I want to see what all the fuss was about.

Expectations

A collection of (hopefully high-quality) scifi short stories. I’ve got to get the taste of Joy to the Worlds out of my mouth...

How was it?

I started this months ago, but just finished the last few. I love short stories, but collections are hard to finish than novels -- there’s no ‘what happens next?!’ when you finish each story in one sitting. The whole thing blew me away, really; I really haven’t been reading enough of this sort of thing. I was expecting much more strict scifi, but these stories were a fantastic mix of scifi, fantasy, horror (Gothic, not slasher), thought experiments, and old campfire ghost stories. What struck me is that these stories all played to the strengths of the short story, tossing the reader into the middle of a world and letting them figure things out as they go. Some felt unfinished or not fully realized, which isn’t a bad thing. Weirdly enough, it’s something I see often in good fanfiction: stories that are allowed to be ephemeral and experimental rather than definitive. The stories feel shorter than Joy to the Worlds, but I can’t tell if they’re actually shorter or just less painful to read…  

Jackalope Wives // Ursula Vernon
A short, dark fantasy story about shape-changing jackalope wives, in the style of an old fairy tale -- the kind that were weird and twisted and creepy as hell.  

Going Endo // Rich Larson
This whacks you right over the head with the sort of technobabble future-speak that usually comes off trite, but this time it sets a great mood -- it sounds like natural slang, and there are no Importantly Capitalized Nouns. It’s a slice of life from some kind of militarized bio-VR company engineer… and then also sex. Cheeky!

 Candy Girl // Chikodili Emelumadu
A quick and dirty voodoo story that's like something out of a dream - random and strange,but not terrifying. Wickedly vindictive.

 If You Were a Dinosaur, My Love // Rachel Swirsky
Starts out a bit like Neil Gaimon’s The Day the Saucers Came or If You Give a Mouse a Cookie -- mostly nonsense. Ends a bit like the song If You Could See Her from Cabaret.  

Advertising at the End of the World // Keffy R.M. Kehrli
A post-apocalyptic survivor and the hi-tech remnants of advertising culture. A little sad; probably a metaphor for old age. Strangely comfortable.  

The Performance Artist // Lettie Prell
A performance artist explores the connection between self and machines. I didn't really connect with this one, but, well... she nailed performance art. Imaginative, though.

A Matter of Shapespace // Brian Trent
All mass (humanity included) can be transmitted and manipulated electronically, through simple thought commands. A little like The Matrix, a little like I, Rowboat I like it. http://www.flurb.net/1/doctorow.htm  

Falling Leaves // Liz Argall
Two outcast teen girls connect (sort of) in a post apocalyptic society. Post apocalyptic teenage angst. Meh.  

Blood from Stone // Alethea Kontis
Summoning demons and dark, twisted love... except, yeah, I've read tons of stuff that's darker and more twisted. Your standard Gothic fare: not a bad read, but nothing special.  

Sexagesimal // Katharine E.K. Duckett
This one was weird - a trippy and very unique take on death, with an afterlife that runs on a memory-based economy.  

Multo // Samuel Marzioli
Are you afraid of the dark? A simple story that perfectly captures the old childhood fear that kept us tucked safely under our quilts at night.  

Keep Talking // Marie Vibbert
Like contact, a little bit, I guess? But with autism and interpretive dance? I wasn’t a fan of this one.  

Remembery Day // Sarah Pinsker
Another one about memory, this time focusing on memory and war. Definitely a thought exercise on the question of memory: are we better off remembering bad things (like war)? If we could forget, should we -- as an individual, and as a society?

Blood on Beacon Hill // Russell Nichols
Immortal vampires are just as messed up by family and society as mortals are.  

The Green Book // Amal El-Mohtar
Epistolary. A man, his mentor, a talking book who was once a girl, a sort of shadowy religious order, and absolutely zero context. Interesting.  

L’espirit de L’escalier // Peter M. Ball
An endless stairwell three sharpies and a bottle of ashes: that’s it. I love the lack of context.  
Still Life (A Sexagesimal Fairy Tale) // Ian Tregillis
In a palace that time forgot, a clock maker - the only person who can age - falls in love and builds magical time pieces.  

Build-a-Dolly // Ken Liu
We're cruel to our toys.  

Armless Maidens of the American West // Genevieve Valentine
An armless girl (woman?) wandering the forest -- like a local ghost story, except everyone knows she's real and just doesn't pay much attention. A commentary on ignoring suffering of others simply because it's the way things are.

Pocosin // Ursula Vernon
A tired witch and a dying possum god. Very atmospheric.  

She Gave Her Heart, He Took Her Marrow // Sam Fleming
A mentally ill girl in the middle of a sort-of zombie apocalypse. Very confusing at first. Err… very confusing at the end, too. Not quite a zombie story, but I got the same sort of vibe.

Mockingjay // Suzanne Collins {Audiobook}

Why I'm reading
Duh.

Where I got the book
Greeeeeeenwich.

Expectations
Finally getting to this whole rebellion thing.

So how was it?

After being rescued in Catching Fire, and bumming around with what is probably several layers of PTSD, Katniss ends up the Mockingjay: the rebellion's figurehead. There’s lots of arguing about everything, a new flavor of makeover, and actual rebellion-fighting action! Then she sets off with a small elite squad and the real action actually starts. Also, Peeta’s all sorts of messed up.

This vastly exceeded my expectations. Not so much in terms of plot, but in terms of how Collins handles the emotional aspects of war. There's a brief afterword at the end (read by the author in the audiobook) explaining how she came up with the idea: she was flipping through channels, and saw  young reality TV stars juxtaposed against young soldiers in Iraq. I'm so glad I stuck around for the afterword (I usually don't read them) because it explains how this book had such an impact; the plot and the characters are your typical dystopian thriller, but there's a strong undercurrent of -- I don't know what to call it, but it reminds me of M*A*S*H.

The afterword also explained why I was constantly thinking jeez, I really hope they filmed this shot-for-shot, the scenes are set up perfectly for film -- Collins worked in TV!

Recommendation
Well, if you’ve made it this far…

Feels
Like everyone’s dying and you don’t have time to care. Seriously, just assume everyone dies. Not everyone does, but at least then you'll be -- let's not say pleasantly surprised, but at least not totally crushed.

Favorites
Continues to be Finnick and Haymitch, although Haymitch plays a smaller role this time. The shenanigans with the camera crew. Katniss’ last arrow.

Least favorites
The whole thing with Peeta was a little silly initially, but I guess it served its purpose. I also wasn't a fan of the way she wrote the fire... thing at the very end.

So what did I really think?

Click "read more"... massive spoilers ahead!

Live Die Repeat // Tom Cruise {Movie}

Why I'm watching
I’m a big Tom Cruise fan, no matter how cray-cray he is… but mostly I’m watching because the plot looks awesome.

Where I got the movie
Greenwich library. Watching it on a plane to Arkansas!

Expectations
Tom Cruise living, dying, and repeating said process. If I had to take a stab at the plot, I’d say Cruise (and female costar) go to some kind of post-apocalyptic Earth to do...something?

So how was it?

Yeah, no, I’m now fairly certain that’s the plot to Cruise’s Oblivion, which I should probably see.

Anyway.

I really, really liked Live Die Repeat Edge of Forever Edge of Tomorrow. Like, holy crap, big-budget scifi action movies are making a comeback!

Cage seems like your typical Tom Cruise Military Dude at first, but we quickly find out he’s a useless cowardly asshole. As an actor, Cruise doesn’t have a huge range -- but when he deviates from his typical action hero role, he does it really well.

Things happen, he gets sent to the front lines, and accidentally gets stuck in a time loop. As this is the first we (or the military in general) hear anything about time manipulation, he’s justifiably WTF. His reaction to the time loop -- before and after he figures it out -- absolutely makes the movie worth watching. He ends up being trained by the famous war hero Rita (Emily Blunt) -- turns out she was caught in a time loop, too, but lost it -- in an attempt to destroy the alien threat.

Oh right, the world’s military is fighting these crazy alien things. And the soldiers are equipped with exoskeleton fighting suits.

Recommendation
Action and scifi fans. Duh.

Feels
Fun and action-y, with a hint of Oceans 11 elaborate social misdirection. The plot is smart without being wrapped up in its own complexity. The characters are engaging.

Favorites
The movie was surprisingly subtle and heartfelt about how Cruise was changing as he repeats the same day for who-knows-how-long. On the surface, he’s just memorizing the day and learning how to fight… but if you pay attention, you actually see him changing as a person. I love it when movies don’t shove this stuff down your throat.

I also liked the trust between the two characters -- he trusts her training and guidance, she trusts his knowledge of the day. Teamwork!

Least favorites
I really have no complaints. Of course there were some parts of the plot that don’t make all that much sense, you have to suspend disbelief about certain alien things, and the characters make some stupid decisions, but… it’s an action movie.

So what did I really think?

Click "read more"... massive spoilers ahead!

The Girl With All the Gifts // M.R. Carey

I got a new phone! Woo! Not sure I’m in love with it, but it’s fast and not (quite as) glitchy.

Why I'm reading
I just installed the Overdrive app, because I want to start reading more ebooks on my phone, and -- hello -- libraries do that. Honestly the cover was okay and the summary wasn’t terrible, but mainly I just wanted to load a random book to make sure Overdrive worked.

Where I got the book
The Overdrive app.

Expectations
None, except that the sample page seemed like an interesting take on zombies.

So how was it?

This went right onto my ‘favorites’ shelf on Goodreads.

“Every morning, Melanie waits in her cell to be collected for class. When they come for her, Sergeant Parks keeps his gun pointing at her while two of his people strap her into the wheelchair. She thinks they don't like her. She jokes that she won't bite, but they don't laugh.” 

I usually summarize a little bit, but I’m not sure exactly what to put without ruining some of the surprise. I can’t even really call it “surprise,” because that usually means sudden unexpected deaths and unpredictable plot twists. But The Girl With All the Gifts never really surprised me; instead there was a slow, building horror as we (and the girl) slowly piece together what’s going on, and come to terms with it.

Recommendation
Fans of zombie books, of course. But this will also appeal to people who like sci fi short stories. Maybe it’s because they require less investment, but short stories usually end up more experimental and interesting.

Feels
Confusion, horror, gentleness, and adrenaline.

Favorites
The first chapter felt like the world was turning upside-down, but very slowly… like one of those turning tunnels in a funhouse.

Least favorites
None that I can think of. It’s not entirely free of tropes, but what is?

Writing style
Subtle, I guess? No punches were pulled with the horror and suspense, but they’re not overdone. It’s written in third person, but focuses on one character for several chapters at a time, so we get to understand all the characters.

(Sh)It Doesn't Just Happen // Bob Mayer

Why I'm reading
Seemed kinda interesting: a Green Beret's take on some famous historical disasters. The first disaster he covers is the Titanic, and I used to be huge into the Titanic in 3rd grade... yes, right before the movie came out, and no, I was not happy to discover it was a romantic drama instead of an IMAX documentary.

Where I got the book
Another free eBook from LibraryThing Early Reviewers!

Expectations
I didn't really go into this with a lot of expectations, but in retrospect I was expecting more thorough research.

So how was it?

This book might have turned out well -- if someone ran it through a very heavy-handed editor first. And I don't mean the kind of editor who decided you can't start a book with the word "shit," and certainly can't put it in the title. (Yeah, that little change makes the first few lines of this book relatively incoherent. Meanwhile, the word "shit" is censored to sh!t throughout the book -- was this written by a twelve year old?) I mean the kind of editor who will tell you when you haven't supported your argument or need to cut down on the lists. And fix the occasional typo.

The premise of the book -- military trained disaster expert commenting on various historical disasters -- is fairly interesting. I wouldn't think poorly of someone for enjoying it. But unfortunately, it's written and argued like a third grade persuasive essay. He actually ends his introduction by repeating what is clearly his 'thesis statement,' and follows it up with "That is the purpose of this book."

Mayer is heavy on number lists (humans love threes and sevens!). Rule of 7, seven catastrophes. Three reasons to read this book, three reasons to listen to me, three benefits of catastrophe thinking. He insists that it's always seven failures that lead to catastrophe -- never less! -- and fluffs most of his catastrophes to round out the number. He's also heavy on code words. Every single facet of an idea has its own code word, defined at the end of the chapter (the intro includes, but is not limited to: "No-do-over," "Sh!t Happens," "Cascade Event," "Final Event," "Delusion Event," "The Gift of Failure"). One code word is confusingly similar to a common cognitive bias ("Halo effect") but he's using it to mean something entirely different -- and he was a psychology major!

On top of this, he takes a lot of things on faith simply because they make sense to him. He points out that some experts think that binoculars wouldn't have made a difference in the Titanic's fate -- but dismisses it completely ("I'll go with the guy who was there.") Of course you will! If the binoculars wouldn't have made a difference, it invalidates your Rule of 7, that there are a minimum of seven "cascade events," and that stopping any one cascade event will stop the catastrophe!

There were all sorts of other things that drove me up a wall. Mayer counts Custer's failed extermination of Native Americans at Little Big Horn a "catastrophe." He doesn't understand what a Pyrrhic victory is -- I think he confused it with the word "futile." In places you can feel him bending reality to fit his own understanding of the world, like his tangent into how Custer doesn't really count as a real West Point grad (since that would upset his view of military training).

But ultimately, hey, I read the whole thing. The stories were interesting, kind of like reading a Cracked article.

Recommendation
This book would be really great for anyone in charge of disaster planning -- any sort of disaster planning, not just ships/airplanes/military/etc. But it has about as much historical worth as a Cracked article.

Feels
A little bit like an infomercial.

Favorites
I like the idea and the format. And yes, he does make some good points, mostly about disaster preparation (duh) and different ways people can mess up.

Least favorites
Honestly, it's a masterpiece in confirmation bias.

Writing style
3rd grade persuasive essay.