Best of Apex Magazine. Volume 1

How fun is this cover?!

Where I got the book

LibraryThing Early Reviewers, as an eBook.

Why I’m reading

I just finished For Exposure, an autobiography by Jason Sizemore, the creator and editor of Apex Magazine -- so of course I want to see what all the fuss was about.

Expectations

A collection of (hopefully high-quality) scifi short stories. I’ve got to get the taste of Joy to the Worlds out of my mouth...

How was it?

I started this months ago, but just finished the last few. I love short stories, but collections are hard to finish than novels -- there’s no ‘what happens next?!’ when you finish each story in one sitting. The whole thing blew me away, really; I really haven’t been reading enough of this sort of thing. I was expecting much more strict scifi, but these stories were a fantastic mix of scifi, fantasy, horror (Gothic, not slasher), thought experiments, and old campfire ghost stories. What struck me is that these stories all played to the strengths of the short story, tossing the reader into the middle of a world and letting them figure things out as they go. Some felt unfinished or not fully realized, which isn’t a bad thing. Weirdly enough, it’s something I see often in good fanfiction: stories that are allowed to be ephemeral and experimental rather than definitive. The stories feel shorter than Joy to the Worlds, but I can’t tell if they’re actually shorter or just less painful to read…  

Jackalope Wives // Ursula Vernon
A short, dark fantasy story about shape-changing jackalope wives, in the style of an old fairy tale -- the kind that were weird and twisted and creepy as hell.  

Going Endo // Rich Larson
This whacks you right over the head with the sort of technobabble future-speak that usually comes off trite, but this time it sets a great mood -- it sounds like natural slang, and there are no Importantly Capitalized Nouns. It’s a slice of life from some kind of militarized bio-VR company engineer… and then also sex. Cheeky!

 Candy Girl // Chikodili Emelumadu
A quick and dirty voodoo story that's like something out of a dream - random and strange,but not terrifying. Wickedly vindictive.

 If You Were a Dinosaur, My Love // Rachel Swirsky
Starts out a bit like Neil Gaimon’s The Day the Saucers Came or If You Give a Mouse a Cookie -- mostly nonsense. Ends a bit like the song If You Could See Her from Cabaret.  

Advertising at the End of the World // Keffy R.M. Kehrli
A post-apocalyptic survivor and the hi-tech remnants of advertising culture. A little sad; probably a metaphor for old age. Strangely comfortable.  

The Performance Artist // Lettie Prell
A performance artist explores the connection between self and machines. I didn't really connect with this one, but, well... she nailed performance art. Imaginative, though.

A Matter of Shapespace // Brian Trent
All mass (humanity included) can be transmitted and manipulated electronically, through simple thought commands. A little like The Matrix, a little like I, Rowboat I like it. http://www.flurb.net/1/doctorow.htm  

Falling Leaves // Liz Argall
Two outcast teen girls connect (sort of) in a post apocalyptic society. Post apocalyptic teenage angst. Meh.  

Blood from Stone // Alethea Kontis
Summoning demons and dark, twisted love... except, yeah, I've read tons of stuff that's darker and more twisted. Your standard Gothic fare: not a bad read, but nothing special.  

Sexagesimal // Katharine E.K. Duckett
This one was weird - a trippy and very unique take on death, with an afterlife that runs on a memory-based economy.  

Multo // Samuel Marzioli
Are you afraid of the dark? A simple story that perfectly captures the old childhood fear that kept us tucked safely under our quilts at night.  

Keep Talking // Marie Vibbert
Like contact, a little bit, I guess? But with autism and interpretive dance? I wasn’t a fan of this one.  

Remembery Day // Sarah Pinsker
Another one about memory, this time focusing on memory and war. Definitely a thought exercise on the question of memory: are we better off remembering bad things (like war)? If we could forget, should we -- as an individual, and as a society?

Blood on Beacon Hill // Russell Nichols
Immortal vampires are just as messed up by family and society as mortals are.  

The Green Book // Amal El-Mohtar
Epistolary. A man, his mentor, a talking book who was once a girl, a sort of shadowy religious order, and absolutely zero context. Interesting.  

L’espirit de L’escalier // Peter M. Ball
An endless stairwell three sharpies and a bottle of ashes: that’s it. I love the lack of context.  
Still Life (A Sexagesimal Fairy Tale) // Ian Tregillis
In a palace that time forgot, a clock maker - the only person who can age - falls in love and builds magical time pieces.  

Build-a-Dolly // Ken Liu
We're cruel to our toys.  

Armless Maidens of the American West // Genevieve Valentine
An armless girl (woman?) wandering the forest -- like a local ghost story, except everyone knows she's real and just doesn't pay much attention. A commentary on ignoring suffering of others simply because it's the way things are.

Pocosin // Ursula Vernon
A tired witch and a dying possum god. Very atmospheric.  

She Gave Her Heart, He Took Her Marrow // Sam Fleming
A mentally ill girl in the middle of a sort-of zombie apocalypse. Very confusing at first. Err… very confusing at the end, too. Not quite a zombie story, but I got the same sort of vibe.

Mockingjay // Suzanne Collins {Audiobook}

Why I'm reading
Duh.

Where I got the book
Greeeeeeenwich.

Expectations
Finally getting to this whole rebellion thing.

So how was it?

After being rescued in Catching Fire, and bumming around with what is probably several layers of PTSD, Katniss ends up the Mockingjay: the rebellion's figurehead. There’s lots of arguing about everything, a new flavor of makeover, and actual rebellion-fighting action! Then she sets off with a small elite squad and the real action actually starts. Also, Peeta’s all sorts of messed up.

This vastly exceeded my expectations. Not so much in terms of plot, but in terms of how Collins handles the emotional aspects of war. There's a brief afterword at the end (read by the author in the audiobook) explaining how she came up with the idea: she was flipping through channels, and saw  young reality TV stars juxtaposed against young soldiers in Iraq. I'm so glad I stuck around for the afterword (I usually don't read them) because it explains how this book had such an impact; the plot and the characters are your typical dystopian thriller, but there's a strong undercurrent of -- I don't know what to call it, but it reminds me of M*A*S*H.

The afterword also explained why I was constantly thinking jeez, I really hope they filmed this shot-for-shot, the scenes are set up perfectly for film -- Collins worked in TV!

Recommendation
Well, if you’ve made it this far…

Feels
Like everyone’s dying and you don’t have time to care. Seriously, just assume everyone dies. Not everyone does, but at least then you'll be -- let's not say pleasantly surprised, but at least not totally crushed.

Favorites
Continues to be Finnick and Haymitch, although Haymitch plays a smaller role this time. The shenanigans with the camera crew. Katniss’ last arrow.

Least favorites
The whole thing with Peeta was a little silly initially, but I guess it served its purpose. I also wasn't a fan of the way she wrote the fire... thing at the very end.

So what did I really think?

Click "read more"... massive spoilers ahead!

Catching Fire // Suzanne Collins {Audiobook}

Why I'm reading
Well, I can’t stop in the middle, now can I?

Where I got the book
Greenwich, Overdrive, etc. etc.

Expectations
Not really sure what The Hunger Games is going to be after the Hunger Games are over. Politics and rebellion and ass-kicking, I presume.

So how was it?

Okay, so, I guess the Hunger Games aren’t over.  

Catching Fire kicks off with the victors, Katniss and Peeta, going on tour to all the districts. It’s traditional, but President Snow is also using the tour (and their shmoopy fake relationship) to relieve the unrest inspired by Katniss’ defiance in the previous book.

Aaaand suddenly there’s such a thing as a “quarter quell,” an extra-special version of the games that happens every 25 years, and involves special rules… yup, Katniss and Peeta are dumped right back in the arena. I know, it's so ridiculous that they can't believe it, either. But in a shocking turn-up, this second trip to the arena actually wasn’t boring or repetitive. It’s an entirely different situation, with entirely different tributes -- other past victors, at various ages and levels of preparation -- and everyone’s acting oddly.

On the Team Gail / Team Peeta front, Katniss becomes even more conflicted; I continue to prefer Peeta. (Which, from my experience with Korean TV dramas, usually means she'll end up with the other one.)

Recommendation
Same as the first book: there’s fighting, survival, romance, a little bit of a psychological thrill (like a spy novel), family drama, and pageantry.

Feels
About the same as the first one in terms of gritty YA plot/action, but the tone is no longer one of immediate immediate desperation. Katniss continues to have no idea what's going on.

Favorites
Finnick Odair, hands down. Of course that means he’s probably going to die. I also continue to like Haymitch.

Least favorites
The Gail/Peeta wishy-washy gets on my nerves, but I knew what I was getting into.

So what did I really think?

Click "read more"... massive spoilers ahead!

Hunger Games // Suzanne Collins {Audiobook}

Why I'm reading
I feel like a bad librarian for not having read Hunger Games yet. That's me, always late to the party!

Where I got the book
Overdrive from Greenwich Library.

Expectations
I've seen the first movie, so more or less (more, it turns out) know the plot.

So how was it?

The movie stuck fairly close to the plot -- and feel -- of the book, so it was what I expected: a dystopian future, where North America is split into twelve districts, each of which sends two 'tribute' citizens to compete in the Hunger Games.

The book is always better (of course) but in this case, the movie had no chance; as a film medium, it just can't get the same message across. In the book, we understand that Katniss is playing things up for the camera, that everything she feels/does is filtered through the lens of being watched and fighting for her life, and that she's disgusted by the audience watching her -- all things that are nearly impossible to convey to... well, an audience watching her. Jennifer Lawrence actually does a fantastic job conveying the right blank-face disgust and terror.

I've held back on watching the other movies, because I don't want to spend the rest of the series comparing the two (hey, it worked for LotR!)

Recommendation
If you liked the movie, you'll like the book. It's got a little of everything: fighting, survival, romance, a little bit of a psychological thrill (like a spy novel), family drama, and pageantry -- but definitely heavy on the fighting and survival.

Feels
Fast-paced without being ridiculous or confusing. The romance elements are a bit annoying, but honest and don't have any real resolution.

Favorites
It's nothing groundbreaking, but I really appreciated the detail and honesty given to Katniss' relationships -- they're allowed to be conflicted and confusing. She doesn't understand the motives behind her own actions, especially when it comes to Peeta.

Least favorites
Suddenly werewolves? Or something? I can see why they downplayed that in the movie.

Writing style
Easily accessible, descriptive, just the tiniest bit cheesy. Lots of flashbacks.

So what did I really think?

Click "read more"... massive spoilers ahead!

Mad Max // George Miller {Movie}

Ugh. Can I just say -- a plate full of edamame does not constitute “vegetables,” not even with the little bits of shredded carrot. We went out with some of Alan’s friends for this one, and I was not impressed by the Chinese (?) fusion place we went. I think it was supposed to be French/Chinese fusion, but it was just Americanized Chinese take-out with fancy plates and a few odd ingredients. It wasn’t bad, but… meh.

Anyway!  

Why I'm watching
Well, yes, partially Tom Hardy, but honestly the movie looks like great scifi dystopian action.

Where I saw the movie
Middletown. The theater was super tiny… I’m not sure why we went there for an action movie. Once we walked over to the parking lot, I realized I’d been here before with Abby to see that sort of magic-themed Ocean’s 13 bank robbery movie with Morgan Freeman, Ariadne, and the kid who played Zuckerman Now You See Me.

Expectations
Boom.

So how was it?

The entire thing is more or less a chase scene. 

It was pretty much everything you could ever want out of a dystopian action movie. Fantastic cinematography, high caliber actors, self-aware absurdity, engaging characters (heroes and villains!), crazy sets and wardrobe, world building, an impressive lack of spoon-feeding… just solid, awesome, and chock full of explosions. And on top of all that, a female-heavy cast (without making a point of it) and fairly feminist plot.

Mad Max is played by the gorgeous and increasingly non-verbal Tom Hardy, Furiosa by the badass Charlize Theron, and a host of excellent supporting actors rounds out the cast.

Recommendation
Action fans, scifi fans, and/or feminists.

Feels
Like a solid, classic 80s scifi flick -- and I'm not just talking about the visuals. Beautiful cinematography, fantastic world building, simple-but-solid plots and themes, absolute unapologetic absurdity, and none of the overly twisty-turny plot shenanigans that have been so popular in the last decade.

Favorites
I can’t choose. Doof (the guitar guy). The two lead actors, who were able to crunch so much into just one glance that the usual action movie dialogue tropes weren't necessary. The world building. The wives. How every single character was a solid, recognizable, individual personality.

Least favorites
Max was pretty quiet -- which I didn’t have a problem with at all -- but since they went that route, I think they should have made it a more deliberate character trait. There are a few scenes that make a point of how non-verbal he is, but several scenes just seemed a little unbalanced, like they forgot to write in his dialog.

Cinematography
I remember thinking about the cinematography in Blade Runner -- gorgeous, sure, but it was just rammed down your throat. HEY LOOK, STOP AND LOOK, LOOK AT THIS SET, LOOK AT HOW WE SET THIS SHIT UP, IT LOOKS LIKE A PAINTING LOOK LOOK LOOK.

This... was not that. There were a handful of incredibly gorgeous shots, but they always fit with the flow of the movie, had elements of movement and good timing, and told you something about the characters. They weren’t just pretty shots.

And yes, yes I did tag this as road trip.

The Girl With All the Gifts // M.R. Carey

I got a new phone! Woo! Not sure I’m in love with it, but it’s fast and not (quite as) glitchy.

Why I'm reading
I just installed the Overdrive app, because I want to start reading more ebooks on my phone, and -- hello -- libraries do that. Honestly the cover was okay and the summary wasn’t terrible, but mainly I just wanted to load a random book to make sure Overdrive worked.

Where I got the book
The Overdrive app.

Expectations
None, except that the sample page seemed like an interesting take on zombies.

So how was it?

This went right onto my ‘favorites’ shelf on Goodreads.

“Every morning, Melanie waits in her cell to be collected for class. When they come for her, Sergeant Parks keeps his gun pointing at her while two of his people strap her into the wheelchair. She thinks they don't like her. She jokes that she won't bite, but they don't laugh.” 

I usually summarize a little bit, but I’m not sure exactly what to put without ruining some of the surprise. I can’t even really call it “surprise,” because that usually means sudden unexpected deaths and unpredictable plot twists. But The Girl With All the Gifts never really surprised me; instead there was a slow, building horror as we (and the girl) slowly piece together what’s going on, and come to terms with it.

Recommendation
Fans of zombie books, of course. But this will also appeal to people who like sci fi short stories. Maybe it’s because they require less investment, but short stories usually end up more experimental and interesting.

Feels
Confusion, horror, gentleness, and adrenaline.

Favorites
The first chapter felt like the world was turning upside-down, but very slowly… like one of those turning tunnels in a funhouse.

Least favorites
None that I can think of. It’s not entirely free of tropes, but what is?

Writing style
Subtle, I guess? No punches were pulled with the horror and suspense, but they’re not overdone. It’s written in third person, but focuses on one character for several chapters at a time, so we get to understand all the characters.

Ready Player One // Ernest Cline {Audiobook}

I wrote an extremely long and actually fantastic review of Ready Player One, with all sorts of insightful ramblings and meaningful commentary. It was pretty much the greatest review in the world.

This is not that review; this is just a tribute.

In a spectacular show of fail, I managed to lose that review completely. That’ll teach me to write something directly in the Blogger interface… I was lured in by the promise of cloud backup, and clearly forgot the ancient teachings of livejournal.  

Why I'm reading
I’d heard some great things about this book, but also some not-so-great things. It seems like the kind of book that’s fantastic if it’s your thing, and stupidly self-indulgent if it’s not.


Where I got the book
Greenwich library, audiobook format.

Expectations
Your classic YA Marty Stu character -- overpowered, angsty, shallow, and special -- with a nerdy 'uncool but secretly super cool' bent. And for some reason, I think I had a vague impression of Tron leotards, which is strange, since I know very little about Tron. In retrospect, this was not entirely incorrect.

So how was it?

Ready Player One is fairly easy to sum up: it’s almost Willy Wonka, but with 1980s nerd trivia instead of chocolate. A rich gaming guru dies, leaving his fortune -- and control of his massive multiplayer online virtual reality gaming company (OASIS) -- to the winner of a contest. We follow the five young frontrunners as they try to win before the employees of a faceless rival company take over and ruin OASIS for everyone.

This book was a little bit of a roller-coaster for me. The first few chapters were incredibly engaging, and then it took a rambling left turn into Self-Righteous Opinionville, for a chapter, before getting back on its feet, leveling out, ramping up to some pretty fun stuff about two-thirds in, and rolling to a gently satisfying conclusion.

Recommendation
If you like references to video games and 1980s pop culture, you’ll love this book (although you don’t need to understand the references in order to enjoy it). If that sounds irritating, this is really really really not the book for you.

Feels
Exciting, dangerous; cyberpunk post-apocalyptic, but not too gritty.

Favorites
Both side-kick characters were awesome. There’s also a major plot point with the evil rival company, but I don’t want to spoil it.

Least favorites
The book starts out well for the first chapter or so, but -- like I said -- it takes a bad turn for about a chapter. The author more or less hijacks the story to ramble on about some shallow and angry take on ecology, social responsibility, economics, etc. The worst offender is this little plot sinkhole: the economy starts to tank, with resources getting scarce, so people moved into the overcrowded city for the express purpose of finding food and work, because there was nothing to survive on in the rest of the country. You know, nothing but arable farmland.

Writing style
Engaging, with lots of focus on details and textures, which works for a story that takes place in both the real world and a virtual reality construct. I listened to the audiobook, which could not have had a better narrator (Wil Wheaton).

So what did I really think?

Click "read more"... massive spoilers ahead!

Severance // Chris Bucholz

Why I'm reading
I want to start reading more sci-fi, and the summary made this look fantastic. A generation ship, cliques, drugs, costumed orgies(!), meat plants, and a murder mystery.

Where I got the book
Another LibraryThing Early Reviewers ebook!

Expectations
An inventive futuristic world, a murder-mystery plot, probably some so-so YA level character development, randomly capitalized Things and Groups, and a "twist" ending about the purpose of the generation ship. A sci-fi snack.

So how was it?

Severance follows Laura Stein, a vaguely mid-level engineer on the generational ship Argos, which is headed towards a new home in another star system. One of her underlings ends up dead after a routine maintenance assignment, leading Stein to unravel a conspiracy that could rip the ship in two.

It was exactly what I expected... only a hell of a lot better than I expected. The writing was a little clunky (like a YA book) but I don't even care. The world development was fantastic -- imaginative, but still grounded, built into the plot but not harped upon, and completely plausible. The plot never felt too slow, didn't put the main character through dramatic trials just to watch her suffer, and built up foreshadowing without (gasp) being too predictable.

There was a great amount of humor, too, from the friendly piss talk between Stein and her friend Bruce, to the hilariously stupid inhabitants of Argos. The description had me worried, with mention of groups like Breeders and Markers... factions and capitalized Proper Nouns are a big, cheesy thing in YA literature. Yeah, that's not a problem with this book. I won't spoil what the Markers are because it's too funny, but they exist in the same world as teenagers who look at the curved ship walls and spin until they puke (vomit clubs, and they've gone out of style).

N.b. I keep referring to YA books, but I'm not sure if this fits or not. Reading level and entertainment value, yes, YA. But there's a reasonable amount of casual swearing, and honestly, it avoids a lot of the annoying YA tropes.

Recommendation
Sci-fi and action/adventure fans, mystery fans.

Feels
Exciting, fun, a little gritty -- but it doesn't make a point of being gritty, if that makes sense. Dirty and a bit scruffed up. I think I could see this adapted into a movie fairly well. It has an almost comic book vibe.

Favorites
Characters, hands down. He doesn't dig too deep into any of the characters, but they're realistic and fun. The main character is relatable without being Typical Teenage Girl, competent but not especially good or bad at what she does, smart and brave but not unreasonably so, etc. etc. She's just in the right place at the right time, and does what needs to be done. Well, okay, there's one special bit about her -- she's a "canned baby" -- but it's not a big deal.

Least favorites
The writing was indeed a little clunky... I wanted to break out my red pen at points. There were also two side characters I wish had a little more "screen time," so I could appreciate their friendship. But overall, I had very little to complain about.

Writing style
Clunky, yes, but... there are little tiny hints of Douglas Adams' influence. Ramshackle technology, a silly little metaphor here and there, and a storyline that jumps around and doesn't always go where you're expecting. Not perfect, but it has its delightful moments.

THE END OF THE WORLD // Don Hertzfeldt

A full-color, hard-cover, coffee-table-worthy graphic novel about the world slowly and bizarrely falling apart ; from the creator of the Rejected cartoons and It’s Such A Beautiful Day.

Why I'm reading 
Feeling a bit restless. I think I need something a little less scholarly in between books of Tolkien. And I wasn't in the mood for humor.

Where I got the book
The coffee table! Alan bought it a while ago, but I've not been in the right mood to read it.

Expectations
I've seen a lot of the author's work, which ranges from gross/silly to existential and dark. This seems to be leaning towards the latter... but hopefully not as depressing as his movie about mental illness.

Meanwhile my wisdom teeth (or lack thereof) are doing better. Nobody tells you that you just have these, like.... deflated holes in your gums after they take out your teeth. I thought they'd sew it up more, but apparently the holes will go away on their own.

So how was it? 

Hmm. I don't know, I really don't. Where is the line between nonsense and trying too hard? Well, one way or another it had a very dystopian "Year Zero" feel to it. I'm glad I waited to read it until I was feeling a little bit tired, a little bit bored, not really all that up to thinking.

The story is... well, you can't really call it a story. It's more like a collection of random snapshots from a post-apocalyptic world. We're not talking Mad Max here; it's more like reality is coming apart at the seams.

In relation to Hertzfeldt's other works, this was random-all-over-the-place like Rejected, with a little bit of cartoon quirk, but had the darker feel of It's Such a Beautiful Day. According to the author's journal, "if the films were albums, i guess these would be the b-sides."

Recommendation

For when you're feeling just a little bit melancholy.

Feels
Somewhere in the middle of meaningful, dumb, and funny.

Favorites
I liked the art and the phrasing: very simple and bold, characteristic of Hertzfeldt. I like the little notes in the info page.

Least favorites
I wish it wasn't quite so "random". Certain parts felt like they were trying too hard, like a teenager taking about sporks and penguins.

Writing style
Esoteric, simple, unfinished.