Ready Player One // Ernest Cline {Audiobook}

I wrote an extremely long and actually fantastic review of Ready Player One, with all sorts of insightful ramblings and meaningful commentary. It was pretty much the greatest review in the world.

This is not that review; this is just a tribute.

In a spectacular show of fail, I managed to lose that review completely. That’ll teach me to write something directly in the Blogger interface… I was lured in by the promise of cloud backup, and clearly forgot the ancient teachings of livejournal.  

Why I'm reading
I’d heard some great things about this book, but also some not-so-great things. It seems like the kind of book that’s fantastic if it’s your thing, and stupidly self-indulgent if it’s not.


Where I got the book
Greenwich library, audiobook format.

Expectations
Your classic YA Marty Stu character -- overpowered, angsty, shallow, and special -- with a nerdy 'uncool but secretly super cool' bent. And for some reason, I think I had a vague impression of Tron leotards, which is strange, since I know very little about Tron. In retrospect, this was not entirely incorrect.

So how was it?

Ready Player One is fairly easy to sum up: it’s almost Willy Wonka, but with 1980s nerd trivia instead of chocolate. A rich gaming guru dies, leaving his fortune -- and control of his massive multiplayer online virtual reality gaming company (OASIS) -- to the winner of a contest. We follow the five young frontrunners as they try to win before the employees of a faceless rival company take over and ruin OASIS for everyone.

This book was a little bit of a roller-coaster for me. The first few chapters were incredibly engaging, and then it took a rambling left turn into Self-Righteous Opinionville, for a chapter, before getting back on its feet, leveling out, ramping up to some pretty fun stuff about two-thirds in, and rolling to a gently satisfying conclusion.

Recommendation
If you like references to video games and 1980s pop culture, you’ll love this book (although you don’t need to understand the references in order to enjoy it). If that sounds irritating, this is really really really not the book for you.

Feels
Exciting, dangerous; cyberpunk post-apocalyptic, but not too gritty.

Favorites
Both side-kick characters were awesome. There’s also a major plot point with the evil rival company, but I don’t want to spoil it.

Least favorites
The book starts out well for the first chapter or so, but -- like I said -- it takes a bad turn for about a chapter. The author more or less hijacks the story to ramble on about some shallow and angry take on ecology, social responsibility, economics, etc. The worst offender is this little plot sinkhole: the economy starts to tank, with resources getting scarce, so people moved into the overcrowded city for the express purpose of finding food and work, because there was nothing to survive on in the rest of the country. You know, nothing but arable farmland.

Writing style
Engaging, with lots of focus on details and textures, which works for a story that takes place in both the real world and a virtual reality construct. I listened to the audiobook, which could not have had a better narrator (Wil Wheaton).

So what did I really think?

Click "read more"... massive spoilers ahead!

Oh. My. God. the Oceans 11 shit he pulls at IOI is fantastic. Usually when a book hits their “okay, time for shit to get real” moment, something angsty happens… usually a family member dying. Nope. Shit got real on HIS terms, because he decided to be proactively badass. I did not expect the story to go into the “real world,” except for some vague drama to add cheap tension.

Artemis. Sure, okay, she’s the brilliant, standoffish, badass, hot love interest trope. But she always feels like a person first, with her own motivations, not just a plot point to make the main character feel feels.

H. Could you get any more progressive than “surprise! I just found out my best friend isn’t really a straight white dude, she’s an overweight gay black woman! and that’s okay!” Granted, that’s more than a little over the top, but I’m happy to see those issues 1) raised, 2) treated positively, and 3) ultimately brushed off as not actually a big deal. And by “issues,” I mean… male/female friendship, race, gender identity, gender roles, anxiety, sexual orientation… yeah, a little over the top. But A for effort, and the whole book is over the top anyway.